Lady Things

The Hangover

Three day binge. Inexplicable unplanned binges, cross-firing into each other.

It’s morning now, somewhere in deep, silent vaults pertained in my skull is a bunch of brain cells licking each other back awake, and cursing my fucking name. They’re all mush now. Hollow. They’re skins without substance.

Coffee, I think, coffee will fix everything. Come on fellas, stop punishing me.

Sitting then in a greasy spoon, staring directly through the steamy vapors cradling my limp, greying face and into the black cavern of optimism, of comfort, of muddy caffeine.

Somewhere near the counter a woman can be heard abusing the waitress for not putting any cream on her mocha.

We don’t have cream, the waitress tells her.

The woman turns on her heels, swears, and then turns back as though nothing has happened.

She asks for a white coffee instead, Can you manage that? She spits at the poor, scrawny underpaid cow behind the counter.

She walks past my table. I cower.

It’s 11am and she’s wearing stack heels so large they resemble murder weapons for the feet. Her hair is bright purple and short. She’s also wearing a cut off denim jacket which she probably bought ready-cut and grungey looking. She probably paid a lot of money to look so fucking awful.

I suddenly catch a whiff of myself - three day hedonism. A stench potent with shameful things, burnt things, mysterious things, unclean things, chemical things, lusty things, sleepless things. I can’t judge anyone.

I sip at my coffee and watch a pigeon trying to eat a bee on the pavement outside.

The purple woman returns to the counter.

Wheres me coffee, love?

It coming. Being made now - two minute, sorry promise.

Oh is it now? Bloody ordered that before anyone else in ‘ere.

She starts pointing around the place - Before him, before her, before this one ‘ere - she throws a finger at me. I have a minor stroke and feel a flush of sweat engulf me.

It coming miss. Two minutes.

I NEED it now, girl. Do understand that? I fucking need it, NOW. I’m not leaving this counter until you fucking pass it to me.

Fine. You wait.

The scrawny foreign waitress escapes to the back and rants something in an indecipherable fast paced language. She brings out two full English breakfasts and walks past the silly cow stood at the counter.

Eh, love. Are they our breakfasts? She storms over to the table the waitress has just slammed the plates down on. Make sure you bring that fucking coffee over, she says sternly shoving her face so close to the waitress’ that their noses nuzzle for a second.

The coffee comes over.

The purple things friend is kicking off now. She’s from Yorkshire and her voice sounds thick with the experience of a woman who’s probably broken more than her share of teeth, jaws and noses in her time.

She’s wearing a maxi-dress which she probably bought from the market, but will proclaim it’s designer to anyone who dares fucking ask.

The Yorkshire one is unsatisfied with her breakfast. Fuck knows what she was expecting, but apparently the beans are touching too much sausage, the sausages ‘look funny’, the bacon looks too fatty and it has a fried egg rather than two poached eggs as requested.

She walks up to the counter. She’s also wearing big heels but in the disguise of a gigantic wedge which bellows her arse out like a prize ass (the animal, not the body part).

The service ‘ere, love, let me tell yer - she puts her hand on her hip - the service ‘ere is fucking disgusting. Yer food is bloody disgusting. And you are a poor, poor, excuse for a bloody wage, aren’t yer? Listen love, tell yer chef behind there, yeah, to fucking just throw an egg on - a decent bloody egg - he can even scramble it if his fookin GNVQ cookery class hasn’t covered poachin’ yet.

Two minutes, she scowls, any longer than that and you’re gonna have a bloody problem.

She marches back to her purple state of a mate, and the two of them discuss how incredibly, soul destroying and offensive the greasy spoon they chose to eat in has turned out to be. They change the subject to talking about Sex And The City and how it taught them ‘a lot about love an’thaaa’ when they were young girls.

My coffee’s running low. I watch them out of the corner of my eye stuffing sausage, bacon and toast into their mouths in massive mouthfuls and hope to God one of them gets it lodged in their throat - if just for a minute.

I contemplate gagging them with my own putrid, stinking socks but think better of it. It would mean having to walk home with my feet rubbing inside my shoes, and today will be hard enough as it is.

Their eggs haven’t turned up. They’re furious.

My phone keeps going. Text messages pile up and crash together the way traffic jams do when a rogue car slams into the back of it. Apologies. Pleas. Begging. Seduction attempts. invitations to suspicious parties. Frightening anecdotes. I feel bile rise. Flashbacks hit me.

The purple thing and her donkey mate throw their napkins onto their half full plates. They take a sip of their coffee each and both look at each other with dramatic disdain. They charge once more at the counter and with juvenile, disturbing synchronization hurl a shit storm of abuse back at the waitress.

They grab their faux-designer bags and totter out the place. I think I remember an episode of Sex And The City when Carrie Bradshaw did the exact same when leaving a greasy spoon, but then realise it was actual an episode of Street Crime Uk involving a jewish trannie called Minnie who wasn’t served kosher meat.

Fuck.

The waitress starts sobbing.

I grab a few napkins out of the table dispenser and run to her aid, dabbing her face and apologizing on behalf of half-cut, badly dressed northern women every where.

They’re so rude, I say, grinning shit at her.

And then just as planned she smiles at me, says her thanks, and makes me a free coffee.

She squirts cream on the top of it.

We had it the whole time, she says, I just didn’t want to give it to them whores.

Life Lesson 1: Everything Is Shit

Some way or another, it all begins at around 9 years old. It only takes a minor incident, a slight slip of innocence, an adjustment of the current World order as you’d previously known it, for you to realise how utterly shit everything actually is.

For me it was Brownies. For the most part - or the first year at least - Brownies was great guns. The once weekly meeting ground was an opportunity to do little else than play games, eat your body weight in free biscuits and sew badges onto a sash for everyday heroic ‘achievements’ like waving at the crazy auld woman who lives down the road from you, or sharing your lunch with the poor kid in your class who stinks like she’s slept in her own piss and turns up to school everyday with stale cornflakes stuck in her hair.

HEROIC.

We were a pretty tight little unit for a while there. There was about 30 of us in the group and being pre-pubescent weren’t yet the utterly pyschotic bitches we’d turn into in just a few years time. No-one fought. No-one picked on nobody. Everyone hung out, high fived, ate their body weight in biscuits.

There was a set roster of games. The best one was Lions And Tigers in which all the girls formed two parallel rows and sat facing each other with their feet together - each pair of girls had their own animal name and during the course of a convincingly improvised story would have to leap over the legs of the other brownie scouts in a race to see who could run around the rows first and sit back down.

It was brutal. There was always someone who would ‘accidentally’ stick their leg up at you mid-sprint. There was always a girl sobbing by the end of it with a skinned knee. Nearly always a mysterious stain of blood on the floor from where someone lost a tooth or got a nose bleed.

We learnt a lot about the brutality of the jungle from that game.

It eventually got banned.

In it’s place a new game was created. The rules of which are still hazy and tortuous to me, even now.

They involved sitting in a circle. Brown Owl - a sweet middle aged lady who was in charge of the whole team - wore a cape, and using a long stick would tap and draw imaginary symbols and shapes on the floor in front of her, walk around the perimeter of the circle tapping certain girls heads repeatedly before spanking her own hands.

This went on for a good couple of weeks before a single person even got an inkling of what the hell the game was about, and then out of nowhere my then best friend Evans yelped out STRAWBERRY! You’re spelling out STRAWBERRY!!

Everyone turned and gawped at her. The moment hung still and astonished.

Then everyone turned back to brown owl and gawped at her instead.

She was untying her cape. She motioned to my best friend to join her outside the church hall for a second and when they returned, Evans was now wearing the cape. She was now holding the stick. She became the most powerful person in the whole universe at that moment.

She sat down. She drew circles and tapped the floor in front of her. She walked around the perimeter of the circle and tapped certain girls on the head. She spanked her own palms.

No-one knew what the hell she was doing. No-one guessed for another fortnight.

Then thick as pig shit Claire Maloney bellowed CAT!! YOU’RE SPELLING OUT CAT! I GET IT!!

Then Brown Owl, Evans and thick as pig shit Claire Maloney all stood outside the church hall, and when they returned thick as pig shit Claire Maloney was wearing the cape, and holding the stick, and grinning smug as an idiot who’s just recited the two times table up to ten.

She sat her dumb arse down. Drew circles and tapped the floor in front of her. She walked around the perimeter of the circle and tapped certain girls on the head. She spanked her own palms.

Afterwards, with our free disposable cup of orange squash and pockets full of hob knobs, I broached the subject with Evans.

Tell me how it’s done, Evans.

No. I promised Brown Owl I wouldn’t tell anyone.

Please! Come on, I’m your best friend. I won’t tell anyone.

It’s not about that.

What’s it about?

Loyalty.

Lo-what?

Loyalty. Brown Owl says I’ll get a badge for loyalty if I don’t tell anyone.

You can have my badge, if you like.

You have a badge for loyalty?

No. I’ve got one for sharing my lunch with stinky, cornflake hair Cate though.

That’s not the same.

Oh. What about if I give you my share of biscuits.

No! I’m not sharing. I FIGURED OUT HOW TO PLAY THE GAME, SO SHOULD YOU! ITS EASY!

By then she’d reached her house, had started to cry, and slammed the door at me.

I took the next week off Brownies. Evans was giving me the silent treatment and the thought of spending one more week being too stupid to figure out a stupid game made me want to slap myself in the face whilst simultaneously vomiting. I was a brutal kid.

When I’d returned the next week, half the group was in on it. Apparently the week before a tonne of the girls had somehow figured out the shady inner workings of the game. They’d all donned the cape. They’d all shook the stick.

There was 12 of us left now. The nightmarish suggestion that we might be singled out by our stupidity, abandoned by it, rejected for it - the suggestion that one of us may never figure this out, may never be part of THEM - hung devilishly over our heads.

This was the first threat of failure. This is what they teach you in Brownies.

The group, becoming segregated in the two packs of those who had guessed the method of the game and those that hadn’t, became more and more blatant. Those that hadn’t spent their time nervously sweating and watching, with longing, the girls whose brains had not decided to abandon them. Those that had, high fived and patted backs. Wecome To The Club!

Brown Owl stood with that group. She didn’t stand with ours.

One by one our group grew smaller and smaller. I begged Evans with growing desperation to tell me what the rules were, what it all meant. I bartered with biscuits, chocolates, clothes, cd’s, tapes, toys. I grabbed onto her jacket as she walked away. I sobbed.

People don’t need all your material shit. They don’t need to be begged. The more you beg and plead, the more you prove that you need something from them. To have something that people need and can’t have is the most valuable thing in the whole fucking World. What an age to learn it.

I asked one of the most recent joiners of the other group to share her secret with me.

There was a pact! I screeched, distressed, We all made a pact to remember the group you’d left! To tell us how to play the game. PLEASE TELL US!

No.

No?

No.

Why?

Promised Brown O--

I don’t care if you promised her.

That’s not very nice.

I know. Well - tell me how you worked it out.

I didn’t.

You didn’t?

No. Brown Owl told me.

BROWN OWL TOLD YOU?!!

Yeah.

Thanks.

It was all so clear to me now. Brown Owl. This was all a mass conspiracy! This was all a way to torture and bully! It was all so elaborate! The whole game was probably fake!

EUREKA! That’s it! The game isn’t real!

Evans was tapping out something onto the floor.

CLOUDS!! I shrieked YOU’RE SPELLING OUT CLOUDS!!

There were only three of us left now who hadn’t worn the cape or tapped the stick. It was time to break out.

The other group looked at other. Thick as pig shit Claire Maloney started laughing.

Brown Owl shook her head.

I’m afraid it isn’t. Everyone - what word are we spelling out?

CHOCOLATE - everyone chanted, smugly.

Why? Why is it?! How?

That’s something you need to work out.

Me? It’s impossible. This is a stupid game. Stupid.

I stood up and walked to sit over on the stage at the front of the church hall. I heard some of the girls laugh at me. They wanted me to cry, but I would not cry.

Oh well, why don’t we carry on playing anyway, shall we girls?

The girls all cheered. I could hear the stick tapping. I could feel them watching me.

Another one of the final girls shouted out FLOWER?! She got it correct. Then there was only me and another girl left.

My cheekbones hurt. My eyes felt strained. My head hurt.

SUNSHINE? said the final girl. Everyone applauded. I was alone.

Can you tell me how to play the game, now? I asked. Defeated. Done.

They ignored me.

Everyone got biscuits. Disposable cups full of squash.

The next week Lions And Tigers got put back on the playtime roster and I totally killed on the nose bleed and skinned knee front.

SPRING TIME 1

Ballad Of The Serial Cranker

Collapse

having sprinted

having traced

the course

your fingers

counseled

spritely fervent

digging

ticklish

rising gasp

tugging at stale breaths

collated

a week ago today

they

cum

out my eyes

b

o

o

hoo

who

gallops 'cross my tongue

your name

my fingers aren’t the same.

Ambitions

I began

a princess

a mutant turtle

a rock star

a rescued

a moonwalking

Jurassic

musing

typist

a ballet

football

boy

introvert

everyone else

a sporty spice

a ginger spice

a thin

big chested

adoration

a bed bound

sexy

solitude

a painless

slut

subversive

an irresistible

irreverent

reciprocated

single

a disposable

dead

drunk

a lesbian

straight

a long-term

sober

virginal

chaste

an untouchable

alone

golden

a success

faulty

frisbee

a not me

LastFMHaiku

see his lastfm

playlists, hearing the songs

he takes to his bed

we make love in my

head and we fuck with our

palms over our mouths

music like imprint

his songs scar and fever

tuneless fossils of

something we never

had. I am drum solo

pounding skin on skin.

Interview with Is Tropical

PHOTOS BY SAKURA: http://www.rockphotographer.net

It’s 7.30 on a Friday night, and Liverpool’s Korova club is bustling the exact way you’d expect it to be following the end of the mainstream horror that is the nine to five working week.

Those familiar with Korova will understand that the thought of trying to find a band amongst a club this notorious as being a must-drink spot for band types, encourages paranoid suggestions that the next half hour could well be spent glaring incessantly at well dressed, cool looking people in the hope that they’re the band I’m here to interview.

But then, amongst a table littered with vanquished noodle boxes and busy laptops, sit Is Tropical. It’s fair to say that they stand out. Not that they’re dressed in an attention seeking ensemble that screams, ‘we’re in a band, yah’ - although they are wearing some beautiful looking leather jackets which we covet from the offset - it’s more their presence and demeanor. They have the sort of intriguing and attractive personalties that you notice from far across the room - warm and inviting, you can’t help but just want to high five them instantly.

Is Tropical - a name which bassist / vocalist Dominic suggests originates from a scouse friend of theirs who constantly used the phrase ‘is right’ - are a delectable onslaught of catchy, spontaneous, synth pulsating slacker pop. Their songs are pep-laden dreams bound for Summer time status as the tunes to blast at sunshine piss ups in the park.

They’re currently at the beginning of a grilling tour schedule - tonight they’re playing one of their final shows as part of a tour supporting New Young Pony Club, but from here they’ve also got non-stop dates booked supporting Good Shoes, followed by a further tour with The Big Pink.

Shit guys.

“Yeah...” groans synth maestro Simon, grinning ear to ear “it didn’t really plan out did it?”

“I’m sure we’ll get to the end of next month and just be like ‘Aah shit’”, adds Dominic, laughing.

Oh, piss flaps. But at least you fellas have a strategy of tour-time survival, right?

“Well, I think we’re learning that you can’t get absolutely wasted every night, otherwise illness comes on” quips Simon, sensibly. All eyes dart immediately on their poorly looking drummer Gary, who sounds close to coughing up an entire lung any time soon and punctuates the entire interview with exhausting sounding chest rattlers. Poor little lamb.

Simon continues, “We’re trying to plan it so we can stay with people that we know, and it kind of works a little bit. It’s always good to tweet. Tweet - and look out for lonely people. I think because there’s so many of us (on this tour) we can be a bit imposing to just stay in someones house. Half stay in the van one night and the rest stay in a house. It can actually be pretty good fun to stay in the van, it can be a bit uncomfortable but at least you can have a bit of a party. They’re usually the best nights - they’re the ones you remember.”

Onstage, Is Tropical have a visually captivating stage presence courtesy of some gnarly looking Bandit scarves tied around the lower halves of their face. I admit to being fiercely disappointed that they didn’t wear the scarves for the interview - bandit fetishism has officially found it’s peculiar, vulgar place in the heart of this lady, right here. So what’s happening with the bandit masks?

Dominic: We wear them just for the stage really - they help to separate us from the audience. We’re not like Daft Punk or whatever and just wear em all the time.

Simon : It’s weird because when you’re playing an in-store gig, like when we go back to London, it’ll go from us being in the store and drinking to suddenly having to put the masks on and then go onstage. I guess it’d work better if we got to play bigger places and then we could just appear and play a gig and then disappear.

Like a Stars In Your Eyes style smoke screened transformation?

They laugh, and nod in united agreement - “Yeah, just like that!”

Simon: I still think it works, I mean it was never done to just hide ourselves from any audience or to try and be horrendously mysterious, it was just something to make us look more interesting during the performance. It also means that you don’t wind up doing the sort of awful pouting band photos that a lot of bands do.

Gary: Plus it hides you dribbling on stage.

You like to dribble on stage?!

Gary: Yes. Yes I do. Every now and then.

Fair play.

Simon: First we made masks for the eyes - like bird masks and that, but just found them to be too impractical.

Gary: Yeah, they ruin your depth perception.

Simon: Yeah, you can’t see your guitar or your synth properly with a mask like that, but I think it’s important to have something which sets you aside visually from everyone else. It’s like when you see a band in a magazine and they resemble characters - it makes you wanna delve in a little bit more and find out more about them.

Dominic: It’s not even wanting to find out more about them - it’s recognizing that there’s a difference between the performer and the actual person.

Simon: True - it’s just interesting to, not put on a persona as such, but to create a different atmosphere. There’s also a lot of people who don’t do it visually but characteristically who when you meet them aren’t boisterous and are quite quiet but then when they get on stage they just change. They don’t need a mask or anything like that they just do it with their personalities and start going nuts and it really works.

Is Tropical began band life in the less than tropical and now notorious London squatter party scene, becoming renowned for putting on their own gigs - specifically in the now defunct Toilet Factory.

D.I.Y gigs are currently very hot shit indeed, with most major cities’ (Hello Leeds! Hello Bristol! Hello fair Liverpool!) turning their backs on the overpriced, poor sound quality of their local club based gig nights in favour of the cheapo, BYOB gig within a house party.

Simon: We wanted to create our own scene and not latch onto anyone else’s. When you’re wanting to play it’s just easier to put on your own gigs, especially when you get thrown on at half 7 in a shitty pub with a promoter who doesn’t do his job, you may as well just put your own on.

Any advice you care to impart with people considering throwing a gig in their house?

Simon: Make sure anything that can catch fire is wet.

Dominic: In a very sad way, thats probably one of the most vital ones.

Simon: Also, there’s like 40ft drops that we’d make sure to put mattresses at the bottom of - that’s an important one. And be prepared to find some weird stuff - like at one of our parties there was this turd in the very corner of the room. It was boxed off, and at no moment during that party could anyone have been left alone to have done it. There was always about a hundred people in that area.

What about when things get predictably way out of control?

Simon: Police have come into our parties before and just gone ‘alright, can you just try and keep it down?’ We’ll show them round to prove that nothing bad’s going on, and that it’s all above board, even though it’s probably not. So long as you’re not selling alcohol or anything like that -

Dominic : - Yeah, so long as you’re not making money it’s fine. It’s quite horrible sometimes, it can get to about half ten and there’s already hundreds of people there. We’d need to get our czech / polish housemates to sort out the riff-raff and then the police would turn up...

Simon: One time some big drug dealers turned up and wouldn’t leave, so one of our crazy housemates just started stripping off all his clothes and started to do a wank in front of them. They just ran out the building, they we’re like ‘this is just too fucking weird!’ and got out as fast as they could.

So you’re recommending that Purple Revolvers’ readership wank at party undesirables?

They laugh, shaking their heads apologetically, each mumbling their own version of ‘Yeah...suppose so’.

Oh Christ. We can already imagine a lot of ill-equipped, light weight indie boys turning up to A&E at 3.30 on a Sunday morning with the genital equivalent of a knee-capping following the publishing of this advice.

And with that frankly disturbing mental image stained boldly into our poor, long suffering brains, we give them a quick smooch and a hug goodbye and scamper impudently away wishing they’d become Bleached Hem's new BFF’s.

Sigh.

Listen to Is Tropical, look at some pretty pictures, buy merch and check out their full tour schedule on their Myspace page at: http://www.myspace.com/istropical

Evol Presents: New Young Pony Club @ Korova *w/ Is Tropical and Teeth.

PHOTOS BY SAKURA: http://www.rockphotographer.net

Let’s set the scene a little. It’s approximately 28 hours until the clocks go forward to officially fly the fine beginnings of British Summer Time - whatever that entails, probably one day of absolute sun, followed by dozens of desperate attempts to spark a BBQ under a succession of light showers - and the past ten day forecast has been grey skies on grey bloody skies.

Yuck.

There’s ways to replicate the hot, delicious atmospherics of the Summer though, amongst all the remanding coat-still-on gloom. If you like the idea of waking up with skin more orange and leathery than a St Johns market knock-off handbag, you can always wile your hours away on the sunbeds. Alternatively, a bass heavy, electro pop, thunder raucous of a band night can also do the trick. Sweat drenched, dance related humidity and all.

Luckily the couple of hundred of finely dressed, radiant young men and women cramped into Liverpool’s Korova have opted for the latter tonight. And they’re in for an absolute, ridiculously high-charged treat that half makes you wish you’d worn some kind of beach wear instead of the usual Korova uniformed cardigan and / or leather.

Second support act Teeth - with apologies to first support act, the amazing Hallo...I Love You! who Purple Revolver sadly, sadly missed to grab some rat-nasty dinner - help to kick things off with amazing fucking aplomb. Front woman Veronica, a hoody-caped storm of she-howling irrepressible energy, conducts the set with a Bikini Kill style gusto of charisma, snarls and at times sweetly near-monotonous vocals. Drum skins get pounded to oblivion and a laptop bearing third member bobs around beside her, arse shimmying, grinning deliriously and button pushing rhythmic, pulsating electro melodies at the audience.

Veronica even bravely attempts a circle pit in the middle of the set but only manages to peruade the members of third support act Is Tropical, stood at the side of the stage, to bravely step in and run wildly about with her. The song ends and a terrified looking audience stare jaws agape at this bombastic youth who surveys the edge of the crowd, ‘Remember dong Geometry in school?’ she laughs, ‘this is just like - look!’ - she drags her hand around the edge of the semi-circular gaping void she’s just created - ‘a perfect fucking circle!’

Circle pit fear-defiers Is Tropical take to the stage next. Managing to accomplish some outstanding on stage visuals thanks to some very dark mood lighting, back projection of tropical scenes and faces hidden by fantastic looking bandit scarfs, their set is a pep dominant, synth-infested, lyrical slacker-pop fest.

Particular set highlights Seasick Mutiny and When O’ When are prime examples of the smile inducing casanova indie charms Is Tropical have to offer. Seasick Mutiny - a synth-convulsed, cheerful swagger of a tune belts on menacing and bass-jovially divine, whereas When O’ When provides mind defacing catchy hooks, and doss Parisian waltzing which bursts into a fervent, hustling pulsation of anthemic addictiveness.

It’s no surprise that following a rare succession of such awesome support acts as this, that the audience are riled up and crowd crushingly anticipative for New Young Pony Club.

Christ alive, they’ve barely played even half a song and the audience are bustling wildly amongst each other, it’s packed so deep and so eager for the trip in here that you literally can’t move without grinding up against some absolute total stranger.

Front woman Tabitha is dominant, stunning, raw - a one woman chemistry set of fiery, snaking movements, intent on making sultry, humble eye contact with every appreciative person in the audience.

Their set tonight is perfect. Songs off Fantastic Playroom sound re-worked and fresh - their sound at times even resembles the bass bleating, more tropical sounding of Bow Wow Wow’s back catalogue (not least of all because of Tabitha’s new hair stylings closely resembling that of Bow Wow Wow’s front woman Annabella Lwin). This is most evident on Hiding On The Staircase, in which the more exotic elements of the songs original structure are drawn out and exaggerated into a dance-o-matic, bass heavy dream. The chorus and hooks are given a bigger role and embellished into infectious, repetitious statements.

New single Chaos, too, is another prime example of NYPC prowess for performance. Loud and powerful - melody and chorus sound brighter and bigger, and with an intimate pronouncement of personality blasting proudly and uncontrollably through.

The crowd is a sweaty, make up smeared mass dance off by this point. Tabitha pauses breathlessly between songs to thank the audience again and again, and to taunt them into a further fevered excitable glory.

‘I just want to say how amazing it is that so many girls have come to the gig tonight...’ she says at one point, looking genuinely delighted by the fact - and rightfully so, it’s still incredibly rare to attend a gig in which more than half the audience are bloody female.

A cover of PJ Harvey’s deconstructive gender role classic Dress is a nice addition to the set, and non-surprisingly one which the audience laps up. Impassioned and with NYPC’s style still imprinted all over it - the songs delivery is forceful and defiant, but never loses touch with the bands five man mission of dance induing excellence.

The set finishes in a pit of sweaty, over-exerted exhaustion. The crowd are red faced and wilting and Tabitha is panting away on the floor of the stage with a towel over her face. Heres hoping that this Summer is even half as hot or as spring-heeled as tonights unintentional replication of it has been. We might have to all quit our day jobs and resign ourselves to sun soaked, dance ridden leisure for a couple of months if it is. Perfect.

New Young Pony Club official: http://newyoungponyclub.com/

Download NYPC's new album The Optimist here: http://bit.ly/crA70B

Teeth Myspace: http://www.myspace.com/teethdance

Is Tropical Myspace: http://www.myspace.com/istropical

Evol on Facebook: http://www.facebook.com/group.php?gid=8926329069&ref=ts

Important Life Lessons (from 90's music videos) - Part 3

You’ve Got It (The Right Stuff) is really quite the sweet ‘bros before hoes’ morality tale on the surface. But if you’re willing to really dig deeper, and Gods knows Bleached Hem has gotten good at digging holes for itself lately (Re: Cycle Sluts From Hell), then you’ll realise a far darker ill-morality tale with many a murky, unwanted lesson to be gained from it.

Let’s begin with the whole bros before hoes issue. I mean, it’s that age old shitter of meeting the pal of your dreams, sharing a few scandalously magical months joined at the hip and playing old Mega Drive games round at theirs 5 nights a week, and then BAM! Motherfucker meets a new ‘special friend’ and before you know it you’re relegated to the once a month meet up slot once reserved for their poor, suffering mother.

See, that’s the great thing about New Kids. Here they are, singing this song about things going pretty damn smooth with their new respective lady friends, but - hold up son - they’re still finding the sweet time to rock it with their boy chums.

Look at them - goofing off, joyriding in supposedly stolen cars and spending the rest of their free time co-ordinating heavily choreographed in sync dance routines with each other. Damn. That’s what bromance is all about - being totally in sync with each other. To hell with that totally rad young lady. They’ll call her back when they’re done singing at each other, Godammit. Bitch can wait.

But then, look a bit closer and the whole thing starts resembling a pop video rendition of Larry Clarks epic aids ridden, teenage sex-terror film Kids (http://tinyurl.com/cwx7dk). Especially when they start pursuing that poor outnumbered trio of local underage girls and chase them into a bloody cemetery. I mean, come on New Kids - we know we’ve probably got bras older and with more sexual experience than you guys but still - that isn’t how you win a girls heart or even legally get into her knickers. In fact you’ve taken the whole bros before hoes principle to a totally dangerous new level.

The lessons we can take from this are so incredibly important that we’re gonna have to break it on down for y’all - New Kids style. Uh-oh-oh-woah-OH-OH!

One: Gentlemen. Bros before hoes = yes. Just don’t let the friendship enter Chasing Amy ‘I think we all need to sleep together’ territory. Especially in cemeteries. And especially with underage girls. And super especially if they look terrified out of their poor naive wits. Poor lambs. Get a grip fellas. You can take one night off a week from the lads to woo, romance and tap that ‘right stuff’ without turning it into an ill-fated group hang. We all know how they end, and so do the Police.

Two: Ladies. If your beau isn’t answering the phone and is turning up to your dates with his whole baby faced posse of jive limbed loser friends - get some self respect and ditch the chump. If you continue to see him, it’ll only end with you becoming a beer caddy during Friday night X-Box live playoffs, and you getting drunk and copping off with that freaky looking one in the hat in lieu of actual affection from your genuine boyfriend. And that is science fact. NASA did research.

Three: Stay outta the cemeteries, for Chrissakes.

Four: Shredded jeans and Bauhaus t-shirts make you look totally badass. Irrespective of age, badass achievements, and the fact that you’ve blatantly got no fucking clue who Bauhaus are, you ignorant pissing poser.
This, again, was also researched by NASA.

Five: We totally thought New Kids On The Block were dreamboats when we were five. But then, that’s exactly the kind of shit which boys like New Kids want you to think. In retrospect, they’re horrific, disturbing, sinister and haven’t got half a brain cell or even a quarter of good intentions between them. So err....what am I saying again? Oh yeah. Don’t have crushes on anyone. Ever. They only let you down. Yeah. Something like that.